<승리호>In the 1980s and 1990s, if you sense the energy of Hollywood blockbusters, <승리호>It was to find exactly the mother body of. From the beginning, Director Cho Sung-hee thought that he would like to make “an exciting entertainment movie that children can also like, a cosmic play with a lot of action like a Hollywood movie of the 1980s and 90s.” The music he kept listening to while writing the screenplay was a movie <백 투 더 퓨처>“I think the sound of brass (wind instruments made of metal) will be a movie that comes out saying’Bam~Bam~Bam~'” <승리호>Explained the atmosphere.
<승리호> ‘Space garbage’, which is related to the lives of the main characters, was inspired by a story told by a friend about 10 years ago. Space garbage, which is said to be faster than bullets and has become a headache for the space industry due to frequent accidents, has become the subject of various cultural contents, especially “Omniverse animation <메모리즈>First episode of <그녀의 추억>I discovered that the worker who collected this space debris was the main character <승리호>I got the courage to expand my basic story.” SF comics <플라네테스> The story of space debris described in the beginning also helped with the scenario.
The works referenced from a technical point of view cover a wide range of areas from comic books to games. animation <마크로스> series‘Itano Circus’ (director Itano Ichiro’s action style. It means moving like a circus. -Editor) <분노의 질주> seriesFast car racing <승리호>It became a useful resource when implementing the spaceship action of. <스타워즈> seriesWas influenced by the concept design, such as the texture of the spaceship and the space background, and the color that can make a three-dimensional effect.
Meanwhile <승리호>In the movie setting, the spaceships must move at a very high speed. Speed is a relative concept, and when fixed objects at the periphery act as a kind of coordinates, it is easy to visually implement speed, but such a presentation is almost impossible in a vast universe. This problem game <노 맨즈 스카이>It was solved while getting an idea from the visual of. “Through the effect of very small particles flying like snow, it realizes the sense of speed of a spacecraft. As a space action <승리호>It became an important reference in saving the rhythm of my family.”
But <승리호>Disney animation film <코코>It might be. Director Jo Sung-hee said, “When you are struggling because the scenario is not well written <코코>I got a very important hint after watching.” (The reason is that <승리호>You can check it by looking at).
Also mentioned earlier <메모리즈> <플라네테스> <마크로스> In terms of material and technology <승리호>It has something in common that encompasses the works that inspired him. Despite the background of dystopia, there are many warm works that do not let go of hope for humans. Even in the pessimistic situation where the earth was desolated in 2092 and humanity had to migrate to space, <승리호> It also affirms what ordinary people’s goodwill and solidarity can accomplish.